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Vous avez sélectionné:
We Will Live To Be Free
Partitions à imprimer
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26
We Will Live To Be Free (A flat Major)
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.529573 Composed by Robert J. Sherman. …
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Piano,Vocal,Voice - Digital Download SKU: A0.529573 Composed by Robert J. Sherman. Arranged by Original Piano/Vocal Arrangement by Robert J. Sherman. Broadway,Contest,Festival,Instructional,Musical/Show. Score. 8 pages. Sherman Theatrical Entertainment Ltd. #117901. Published by Sherman Theatrical Entertainment Ltd. (A0.529573). We Will Live To Be Free is from the musical Bumblescratch. Early in Act II, âSquabblerâ becomes Melbourneâs fiercely loyal, if not obsessive follower. So when he witnesses Melbourne succumbing to the trap of temptation laid out by the former King Rat âSocratesâ, Squabbler becomes disillusioned. He wants nothing more to do with Melbourne or, what he believes is his phony movement. This song is Squabblerâs âgraduation day,â the moment he realizes that he no longer needs to follow Melbourne's or anyone elseâs rules. By the end of the song, Melbourne is left with no one willing to listen to him. When printing, please scale to fit for standard US Letter and A4 size.
$3.99
3.72 €
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Piano, Voix
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the end of the song, Melbourne is left with no one willing to listen to him
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Robert J
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We Will Live To Be Free
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Sherman Theatrical Entertainment Ltd.
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SheetMusicPlus
Soon We Will Be Done (Downloadable)
Chorale SATB
SATB choir and Piano - Medium - Digital Download SKU: MQ.1.3610-E Composed by Kyle …
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SATB choir and Piano - Medium - Digital Download SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United Statesâand arose out of, as Arthur C. Jones asserts, âdeeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.â The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goinâ home to live with God No more weeping and a-wailing (repeat) Goinâ home to live with God I want tâ meet my mother (repeat) Goinâ home to live with God I want tâ meet my Jesus (repeat) Goinâ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world todayâa world of inclusion, radical kindness, compassion, love, and graceâa world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a personâs worth. A world where âheaven has come to earth.â In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protestâand I include it intentionally as a way of giving voice to the choir members (and listener)âwhere all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAHâa multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20
2.99 €
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Chorale SATB
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Kyle Pederson
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Soon We Will Be Done
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin ⢠German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of âletting goâ. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: âI will return the key of my doorâ. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though âin an oceanâ of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: âSo teach us to number our days, that we may apply our hearts unto wisdomâ. This cannot be expressed more plainly.I have begun the requiem with a solo boyâs voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent âlux aeternaâ. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: âEntreià dich, Seele, nun der Zeit, entreià dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgenâ [âTear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ] and later: âUnd die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu lebenâ [âAnd the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: âUnd meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Hausâ [âAnd my soul spread its wings wide. Flew through the still country as if homeward bound.â]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethovenâs late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my ârenewedâ occupation with the âoldâ country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a âhomecomerâ. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
52.23 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paulâs second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son⦠I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paulâs commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me âLord, Lord,â will enter the kingdom of heaven⦠I will declare to them, âI never knew you; depart from me, you workers of lawlessness.â (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99
1.86 €
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Chorale SATB
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
Push & Pull by The Khromatiks, for Electric Violin & Loop Station
Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845977 By Th…
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Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845977 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz,Latin. Individual part. 10 pages. ViolinVagabond Music #5375599. Published by ViolinVagabond Music (A0.845977). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2013. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boss RC-30 loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 2 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Boomerang III, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you use an octave pedal to record the low bass lines. A standard 4-string can also work, although some phrases will have to be transposed 8va.A little about this tune: the head melody is a basic lydian dominant motif that gets displaced forwards or backwards by a sixteenth note on each iteration. In Nashville Number System, we call this sort of syncopation a push, which inspired the title. This idea transitions into a B solo section with a latin songo groove. This is a great tune for practicing tight rhythmic syncopation, or for developing solo ideas on modal scales!With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. If you have a looper capable of syncing to a click track, you could also try adding bass (plays the bottom line of loop 2 only) or guitar/keyboards (read the chord symbols as a lead-sheet). The sky is the limit, feel free to get creative with it!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99
7.45 €
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The Khromatiks
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Push & Pull by The Khromatiks, for Electric Violin & Loop Station
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ViolinVagabond Music
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SheetMusicPlus
Kyrie & Agnus Dei
Chorale SATB
SATB chorus - Digital Download SKU: BJ.1406 Composed by Sofia Söderberg. Christian…
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SATB chorus - Digital Download SKU: BJ.1406 Composed by Sofia Söderberg. Christian. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1406. Published by Bo Ejeby Forlag - Digital (BJ.1406). 8.27 x 11.7 inches.Music based on Gregorian themes.In the autumn of 2015, Malmo Live Vokalensemble performed Thierry Machuel's Paroles contre l'oubli - words against oblivion. In a large-scale art project, prisoners serving a life sentence at the Clairvaux high-security prison in north-eastern France were interviewed by the composer, who set their stories to music. The piece is incredibly dark, coloured by the innermost thoughts of individuals who know they will never again be free, people who are slipping into oblivion. Clairvaux wasn't always a prison, though - it was formerly an important monastery. Established by St. Bernhard in 1115 and closed in connection with the French Revolution, Clairvaux is a mythic place. For some, it is an abbey where thousands of monks voluntarily chose the path of saints, plunging themselves into the blessed silence of darkness. For others, it is a prison, the sheer name of which inspires terror and generates horrific images. My intention was that we, with our concert, would create a bridge between the present and the past, between incarceration and voluntary solitude. So I sought out the historical sources for our earliest notated music, from the French abbey of Solemn, and composed a variety of versions based on Gregorian themes. Kyrie and Agnus Dei are two of them. - Sofia Soderberg.
$3.20
2.99 €
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Chorale SATB
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Sofia Söderberg
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Kyrie & Agnus Dei
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Oh! Susanna
Violon
Violin Solo - Level 1 - Digital Download SKU: A0.1258157 Composed by Stephen Foster…
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Violin Solo - Level 1 - Digital Download SKU: A0.1258157 Composed by Stephen Foster. Arranged by Glauco Fernandes. Children,Instructional,Traditional. 1 pages. Glauco Fernandes #851401. Published by Glauco Fernandes (A0.1258157). ðµ Exclusive Sheet Music! Easy Violin Arrangement with Chord Symbols of Oh Susanna ðµAre you ready to immerse yourself in the enchanting melody of Oh Susanna on the violin? We are thrilled to present to you the easy violin arrangement with chord symbols of this timeless tune! With this unique sheet music in your hands, you'll not only enjoy playing the melody but also have the advantage of chord symbols to enhance your musical experience.The inclusion of chord symbols adds a new dimension to your violin playing. It allows you to understand and incorporate the underlying harmonies, giving your performance a richer and more expressive sound. Whether you're a beginner or an experienced player, these chord symbols provide valuable guidance and inspire creativity.Picture yourself playing Oh Susanna on the violin, exploring different chord progressions and adding your personal touch to the music. The combination of melodic lines and chordal accompaniment will captivate your audience and create a mesmerizing musical experience.Additionally, when you purchase this sheet music, you'll gain instant access to the digital PDF file. No more waiting for shipping or delivery â simply download, print, and start playing! This convenience allows you to dive into the world of Oh Susanna with chord symbols at your fingertips.By acquiring this exclusive sheet music, you'll be investing in a meticulously crafted arrangement by music experts who have carefully chosen the chords to complement the melody. This sheet music is compatible with online sheet music platforms, making it easily accessible for musicians around the world.Don't miss the opportunity to elevate your violin playing with the inclusion of chord symbols. Experience the joy of playing Oh Susanna with a deeper understanding of its harmonic structure. Get the easy violin arrangement with chord symbols of Oh Susanna now and embark on a musical journey enriched by chords!Enhance your violin skills, mesmerize your audience, and have fun exploring new musical possibilities. The music is waiting for you. Get your sheet music today and enjoy hours of musical pleasure!
$1.99
1.86 €
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Violon
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acquiring this exclusive sheet music, you'll be investing in a meticulously crafted arrangement by music experts who have carefully chosen the chords to complement the melody
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Stephen Foster
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Glauco Fernandes
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Oh! Susanna
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Glauco Fernandes
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SheetMusicPlus
Bock's Best - Volume 1
Piano seul
Piano - SMP Level 7 (Late Intermediate) SKU: HL.8738352 Piano Solo. Composed…
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Piano - SMP Level 7 (Late Intermediate) SKU: HL.8738352 Piano Solo. Composed by Fred Bock. Piano Solos. Fred Bock Publications. General Worship, Sacred. 152 pages. Fred Bock Music Company #BG0557. Published by Fred Bock Music Company (HL.8738352). ISBN 9781934596159. UPC: 073999726527. 9.0x12.0x0.374 inches.This tremendous piano collection features 50 of Fred Bock's very best arrangements, including: I Am Loved * Jesus Loves Me (a classic arrangements based on Claude Debussy's Clair De Lune) * A Mighty Fortress Is Our God * My Tribute * Sweet, Sweet Spirit * and more. Spiral bound.This title has selections that range in difficulty from SMP Level 6-7. About SMP Level 7 (Late Intermediate) 4 to 5-note chords in both hands and scales in octaves in both hands.
Song List
: All for Jesus (Stainer-Crucifixion) He Lifted Me Great Is Thy Faithfulness Now I Belong To Jesus We Are One In The Bond Of Love Safe Am I Surely Goodness And Mercy The Bell Carol He Is The Way I Believe In Miracles I'll Tell The World One Solitary Life Open Up Your Heart And Let The Sun Shine In Tell All The World About Love To Be Free There Is A Balm In Gilead Because He Lives Christ Of Every Crisis God Gave The Song He's Everything To Me Ivory Palaces A Mighty Fortress Is Our God Precious Lord, Take My Hand (Take My Hand, Precious Lord) Teach Me, Lord, To Wait Jesus Loves Me In Times Like These My Faith Looks Up To Thee Ten Thousand Angels Sweet, Sweet Spirit My Tribute Thou Art Worthy Something Beautiful Room At The Cross For You There's Something About That Name Wondrous Love Revive Us Again Jesus Is Coming Again Even So, Lord Jesus, Come Mansion Over The Hilltop I Will Serve Thee Gentle Shepherd How Long Has It Been Redeeming Love I Just Feel Like Something Good Is About To Happen I Am Loved The Church Triumphant How Big Is God? Were You There? What A Friend We Have In Jesus Oh How He Loves You And Me
$29.95
27.94 €
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Piano seul
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Fred Bock
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Bock's Best - Volume 1
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Fred Bock Music Company
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SheetMusicPlus
Danza gitana
Piano seul
Piano Solo - Digital Download SKU: A0.976849 Composed by Monica Bergo. Children,Con…
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Piano Solo - Digital Download SKU: A0.976849 Composed by Monica Bergo. Children,Contemporary. Score. 10 pages. Monica Bergo #3236735. Published by Monica Bergo (A0.976849). 2017 Holiday Contest EntryGYPSY DANCE And it is another day that passes and goes I know that one the same will not return I feel restless, I lose my colors Invaded by the gray of the outside world Need love And that sense of emptiness Suspended in limbo, I move in slow motion invent a fairy tale that time which was I miss the affection of my tribe I wear a dress from 1000 colors Weave hair with grass and flowers Again gypsy in this other my life It is not just a fairy tale, it is a never ending story Between the elves, the fairies and gypsy violins In the woods near to ancient kingdoms I feel beautiful too, happy and accepted here's the trivial woman who has transformer dance gypsy cries inside of me It is a fire that melts this cold there is freedom it is desire to live It is dances gypsy and Iâm the queen Again this decomposes my identity Nemesis goes crazy and unleash My spirit Which is young and free I mud and Diamond Matte and shining I alpha female of a group of witches Unleashed storms, threats suspended Then a rainbow of many colors Here the rain is over, wake up the flowers We dance happy in this my kingdom In a circle, spell of a beautiful dream Another my world I will not return If Iâm not anyone Leave me alone I will not return In this tale, I will hide A still picture On the surface I will be Turn the page and I animet and the end will be Disappearance Monica, in the world here But in this my kingdom forever I will live From a cover I will smile Iâm not gypsy, not even Queen but inside me I remained a child Gypsy violins do not sound I miss the affection of my tribe and I go back to that time when everything was empty dream and fly was my only game I'm not so bad in the world here in the shoes I wear in my reality dance gypsy cries inside of me It is a fire that melts this cold there is freedom it is desire to live It is dances gypsy and Iâm the queen I tread with joy my but and my if The inadequacy I do not know what And yet I know that thrill try The apparent death, far and distant The dance gypsy , here,under the moon Ancient ritual that brings good luck You will be welcome in my tribe In this my book, the end can write to you ... Monica Bergo
$3.99
3.72 €
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Piano seul
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Monica Bergo
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Danza gitana
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Monica Bergo
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SheetMusicPlus
VAMPIRE'S DANCE
Violon et Piano
Small Ensemble Cello,Drums,Organ,Pan Pipe,Piano,Violin - Digital Download SKU: A0.10127…
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Small Ensemble Cello,Drums,Organ,Pan Pipe,Piano,Violin - Digital Download SKU: A0.1012747 Composed by Monica Bergo. Contemporary. Score and parts. 40 pages. Moni Bergo #5743663. Published by Moni Bergo (A0.1012747). Music and song composed by meVampire's dance I live between two worlds Between trash and slums This is a dream or reality ? The lie or the truth? While I wait for sunsets I look at the sun and horizons And breathe freedom and my immortality Desire for the infinite, Who has not ever tried ? That need to know that the stronger we are Invincible and powerful without the burden of age Over the centuries and the millennia Always gorgeous 20 years old And then dance To the rhythm of the Vampire Do you feel my breath Let us give this eternal night And then dance The senses amplified sharp teeth let's see who can stop us around the fire like wolves, red eyes, a bit 'fierce, we move in packs, invisible and fast , we are thieves thoughts ,so forgotten who you were or roots or ties ,no land limits And then dance To the rhythm of the Vampire Do you feel my breath Let us give this eternal night And then dance The senses amplified sharp teeth let's see who can stop us The mania destroys Hunger afflicts us But it will not be the food that will satisfy Torments and regrets, sad feelings, Nightime falling erase them We are shadows at night ,The heart that no beats We languid slaves the Voodoo rituals The pale faces, The ambiguous smiles Put the cross, you will not need Strange characters So wild and free ,But in this society ,Nothing scarier ago I donate my blood every day to The state or the government the Vampires are we ,There are monsters and vultures Those imprisoned vampires, In the faded pages Elegant, charming, So beautiful and in high places and in they I recognize that mania that is also mine My hunger to know ,With food can not be satisfied And then dance ,And crossing that border Now there is an end to what I can imagine And then dance, I sad renegade I lost soul, Who do not know who to give my heart And then dance ,If you are not anyone ,If you lost in the journey You can not find a post to be filled Look in the mirror You can see my reflection? This is a dream or reality? The lie or the truth? Monica Bergo
$5.00
4.66 €
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Violon et Piano
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Monica Bergo
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VAMPIRE'S DANCE
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Moni Bergo
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SheetMusicPlus
Put Your Head On My Shoulder
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1262590 By Paul Anka. By Paul Anka.…
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Piano Solo - Level 2 - Digital Download SKU: A0.1262590 By Paul Anka. By Paul Anka. Arranged by Mav Duo. 20th Century,Pop. Score. 2 pages. Musicial #855605. Published by Musicial (A0.1262590). Elevate Your Emotions: A Touching Piano Solo Arrangement of Put Your Head on My Shoulder by Paul AnkaAre you yearning for a musical journey that will sweep you off your feet and transport you to a place of heartfelt romance and tender nostalgia? Look no further, as we present to you a truly touching piano solo arrangement of Put Your Head on My Shoulder by the legendary Paul Anka.Indulge in the timeless charm and elegant simplicity of this beloved classic as it comes alive through the gentle keystrokes of the piano. Each note, carefully crafted and delicately executed, carries the weight of countless emotions, drawing you into a world where passion and longing intertwine with every heartfelt melody.This piano solo arrangement, created with meticulous attention to detail, allows you to experience the pure essence of Put Your Head on My Shoulder in a way that only a solo piano can convey. The piano's versatility and ability to evoke emotions with every touch come to the forefront, capturing the essence of Paul Anka's timeless masterpiece and infusing it with a newfound depth and intimacy.Whether you are an accomplished pianist seeking an evocative piece to showcase your artistry, a devoted fan of Paul Anka, or someone yearning for a nostalgic musical experience, this piano solo arrangement is an absolute gem. It offers a profound opportunity to immerse yourself in the beauty of this classic, allowing your fingers to breathe life into the heartfelt melodies and weaving your own personal interpretation into its enchanting tapestry.As the music unfolds, you will feel an undeniable connection to the emotions that Put Your Head on My Shoulder encapsulates. The gentle, melodic phrases will transport you to a place where memories of tender moments and bittersweet love intertwine. With each stroke of the keys, you'll find yourself swept away by a sense of longing and a profound yearning for connection.This piano solo arrangement of Put Your Head on My Shoulder is a testament to the enduring power of music to touch our souls. It invites you to embrace the evocative journey that unfolds through the intertwining melodies, allowing your heart to soar and your emotions to be set free. It is a musical testament to the beauty of human connection and the lingering emotions that live within our hearts.Don't miss this incredible opportunity to own a piece of musical magic. Order your piano solo arrangement of Put Your Head on My Shoulder today and let the tender melodies caress your senses, immersing you in a world of timeless romance and profound nostalgia. Elevate your emotions and let the piano transport you to a place where love and longing harmonize, leaving an indelible mark on your soul.Keywords: piano solo arrangement, Put Your Head on My Shoulder, Paul Anka, musical journey, heartfelt romance, tender nostalgia, timeless charm, elegant simplicity, countless emotions, pure essence, evocative piece, personal interpretation, enchanting tapestry, undeniable connection, bittersweet love, enduring power of music, evocative journey, lingering emotions, musical magic, timeless romance, profound nostalgia, elevate your emotions.
$5.00
4.66 €
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Piano seul
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Paul Anka
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Mav Duo
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Put Your Head On My Shoulder
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Musicial
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SheetMusicPlus
Ungaresca & Almande Poussinghe (Recueil de Danseries, 1583)
String Ensemble - Level 2 - Digital Download SKU: A0.1041170 Composed by Pierre Pha…
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String Ensemble - Level 2 - Digital Download SKU: A0.1041170 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Colin Kirkpatrick Publications #645901. Published by Colin Kirkpatrick Publications (A0.1041170). These two dances are taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (âCollection of dances, containing almost every kind of dancesâ) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century. The piece known as Ungaresca evokes the atmosphere of street music rather than that of the court and the drone accompaniment that Phalèse provides suggests the sound of the peasant bagpipes. As the name implies, the dance came from Hungary though it may have simply been a dance in the Hungarian style. Even so, the melody was tremendously popular during the fifteenth century though the author is unknown. The dance calls for a lively performance, and you can use plenty of percussion to enliven it. This music was meant for dancing and entertainment and musicians would often combine several dances to make a more substantial piece. In this arrangement, the rather wild Ungaresca is paired with the stately Almande Poussinghe. The music would have been played by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
9.32 €
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Pierre Phalèse Jnr
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Colin Kirkpatrick
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Ungaresca & Almande Poussinghe
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Colin Kirkpatrick Publications
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SheetMusicPlus
alt.Callahans Reel
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.992361 Composed by Tim Fatchen. Cel…
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Piano Solo - Level 4 - Digital Download SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published by Flying Tadpole Productions (A0.992361). ALT.CALLAHANS REEL(which is actually a Slide, with a Reel interlude!) Fast and lively foot-tapping neo-Celtic, at its best on electronic keyboard but also a fun piano solo. (Duration 8+ minutes) Reel Jiggery-pokery The song started as a jig but drank too much and reeled into 12/8 time. Properly speaking, despite its strong 4-beat pulse, it's a Slide. Or perhaps a Double Jig. Except for the mid-section, which is really a Reel! Needless to say, this is not for the purists...but it's huge fun for the rest of us! Playing and Performing We've marked it Advanced Intermediate. It's the indicated speed which makes demands! But you can play it slower and enjoy! On electronic or MIDI keyboard, use a percussive/plucked foundation (e.g. piano, harp, faux guitar) with a sustained string patch (string ensemble, synth strings, viola works well, fiddle works well, most violin patches are terrible!). For piano, you'll have to use more of the sustain pedal but not too much or it'll go all muddy on you, just like a mis-step in an Irish bog! (Original live and YouTube performances were on a Medeli MC 710, from 2005. This keyboard allowed splitting and dual voices. Piano was used as foundation both above and below the split point. A loud viola patch was used as the second voice on the upper part of the keyboard, as the dominant fiddle sound carrying the melody. A synth string patch was used as second voice on the lower half, giving the drones.) Add Your Own Salt and Pepper to the Score! The song is scored for clarity, not as a detailed demand for every possible nuance. It's fast, so although simple to look at when not playing, you'll need to be reading the music at speed. Unless, of course, you're blessed with a brilliant memory! So the score isn't cluttered with ornaments and fiddly bits, or lots of expression marks. Especially, it's not cluttered by a lot of suspended notes. BUT...you will need to suspend a lot of notes as you play. Think drones running all over the place and use your keyboard sustaining string patches to bring those drones out! Listen to the live recordings, they'll help. You, as player, have lots of freedom! It's up to you how many additional frills, or emphasis, or drone suspensions you throw in. Why alt.callahans?In the far distant past of 2005, there was an Internet newsgroup of that name, in honor and emulation of Callahan's Crosstime Saloon, a fictional bar with strongly community-minded and empathic clientele, part of the fictional universe of American writer Spider Robinson. [Wikipedia] A place for tall tales and true, comradeship, puns both good and bad. We had fun there, and this song came out of it. The Internet world, sadly, has changed since.
$7.50
7 €
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Piano seul
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Tim Fatchen
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alt.Callahans Reel
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Flying Tadpole Productions
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SheetMusicPlus
Numb
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1203048 By Isadar. By Isadar. 20th …
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Piano Solo - Level 3 - Digital Download SKU: A0.1203048 By Isadar. By Isadar. 20th Century,Contemporary,Jazz,New Age. Score. 7 pages. Mainya Music Publishing (BMI) #801732. Published by Mainya Music Publishing (BMI) (A0.1203048). Contains:Numb - taken from the Isadar solo piano collection, The Purple Heart (improvisational solo piano) (available soon on SMP) Sounds like: Keith Jarrett's Köln Concert, Bill Evans, Liz Story, George Winston, early Windham Hill solo piano artists Transcribed by:  David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording Album & Songbook review by:  Kathy Parsons (MainlyPiano.com):The Purple Heart is Isadarâs solo piano tribute and memorial to the people who lost their lives in the 9/11/01 tragedy. Recorded as a 56-minute improvisation on 12/25/02, the music is thoughtful, somber, and quite elegant. There are actually thirteen pieces on the CD, but they segue into each other, making it difficult to tell where one song ends and another begins. This is very definitely NOT a problem, as the album unfolds naturally and organically, asking questions, looking inward, and expressing shock and grief. However, this is not music about only despair or rage. I also hear hope and determination as well as quiet reverence - the strange mix of emotions we all felt during those dark days. Titles include From Cradle to Coffin, Bravery, Numb, New York Skyline, and Truth. Isadar has a wonderful way of wearing his heart on his musical sleeve, pouring deep emotion and heartfelt expression into his music. The music was recorded in one take, but rather than meandering all over the place, Isadar used recurring themes that make the work cohesive and consistent enough to hold together even after many listens. This is a very strong and passionate work, but it was recorded with a rather quiet voice which allows it to be very comfortable and soothing background music as well as evocative solo piano music for concentrated and focused listening. The Purple Heart Sheet Music Collection is a note-for-note solo piano transcription of Isadarâs 2003 memorial CD by the same name (transcribed by David Shenton). The recording and book are a tribute to those who died in the attacks of 9/11/2001. The music was recorded in one take and although there are thirteen titles, the pieces segue into each other, creating a seamless 56-minute improvisation. The book indicates where the various pieces begin and end, but can also be played as one long piece. Although the theme of the music is very somber and bleak, the music covers the broad range of emotions we all felt during that period - anger, sadness, hope, determination, resolve, fear, grief, etc. Although the recording is an improvisation, Isadar incorporates a recurring theme that holds the work together as a single entity. Some pieces are very slow while others are lively and even fast. All thirteen pieces are in C minor/Eb major, but the variety of moods and tempos keep the music evolving without becoming repetitious. When the recurring theme pops up, itâs like seeing an old friend!The difficulty in playing someoneâs improvisation is that the creation of the music was spontaneous and free-flowing. It isnât easy to read an improvisation and give the music that quality of freedom. Less advanced pianists might find this frustrating. The time signatures change frequently, but a competent pianist will have no trouble with that. As I was playing this book, I sensed that I was looking directly into Isadarâs heart and feeling what he was feeling as the music was being born - a very powerful experience! Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, featuring today's biggest names in solo piano music.
$5.99
5.59 €
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Piano seul
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Isadar
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Numb
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Mainya Music Publishing
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SheetMusicPlus
Premier Bransle de la Guerre & Les Bouffons (Premier Livre de Danseries - Pierre Phalèse, 1571
String Ensemble - Level 2 - Digital Download SKU: A0.1036189 Composed by Pierre Pha…
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String Ensemble - Level 2 - Digital Download SKU: A0.1036189 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #641293. Published by Colin Kirkpatrick Publications (A0.1036189). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. The two dances in this arrangement (Premier Bransle de la Guerre and the lively Les Bouffons) were well known popular melodies at the time of publication. They still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
8.39 €
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Pierre Phalèse
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Colin Kirkpatrick
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Premier Bransle de la Guerre & Les Bouffons
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Colin Kirkpatrick Publications
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SheetMusicPlus
The World God Imagines
Mixed Percussion Acoustic Guitar,Bass Drum,Electric Bass Guitar,Electric Violin - Level 3 …
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Mixed Percussion Acoustic Guitar,Bass Drum,Electric Bass Guitar,Electric Violin - Level 3 - Digital Download SKU: A0.1105121 By David Kai. By David Kai. Arranged by David Kai. Celtic,Christian,Irish,Rock. Full Performance. Duration 188. David Kai #708368. Published by David Kai (A0.1105121). This song draws on different biblical images of ideal times and places: the Peaceable Kingdom (Isaiah 11), the Garden of Eden (Genesis 2) and the new Jerusalem (Revelation 4 & 21). THE WORLD GOD IMAGINES Words and Music: David Kai ©2022 The lion and bear, like the cattle will graze This is the world God imagines When wolf lies with lamb we will all be amazed This is the world God imagines CHORUS: No hurt or destruction in this holy place Where justice and peace are flowing free The earth will be full of the knowledge of God This is the world God imagines A garden creation, weâll tend it with care Work for the world God imagines Its harvest of plenty with all we will share Work for the world God imagines CHORUS: No hurt or destruction in this holy place Where justice and peace are flowing free The earth will be full of the knowledge of God Work for the world God imagines A heavenly city, its courts filled with praise Sing for the world God imagines Surrounding the Lamb grateful voices weâll raise Sing for the world God imagines CHORUS: No hurt or destruction in this holy place Where justice and peace are flowing free The earth will be full of the knowledge of God Sing for the world God imagines The Spirit of God lives among us today To bring the world God imagines While Jesus walks with us to guide all our ways To bring the world God imagines CHORUS: No hurt or destruction in this holy place Where justice and peace are flowing free The earth will be full of the knowledge of God This is the world God imagines This is the world God imagines This is the world God imagines.
$1.99
1.86 €
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David Kai
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David Kai
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The World God Imagines
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David Kai
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SheetMusicPlus
The World God Imagines - backing track
Mixed Percussion Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - Digital Download …
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Mixed Percussion Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - Digital Download SKU: A0.1105242 By David Kai. By David Kai. Arranged by David Kai. Celtic,Christian,Irish,Rock. Accompaniment. Duration 188. David Kai #708502. Published by David Kai (A0.1105242). This version of the song is a backing track for soloist, group or congregation. This song draws on different biblical images of ideal times and places: the Peaceable Kingdom (Isaiah 11), the Garden of Eden (Genesis 2) and the new Jerusalem (Revelation 4 & 21). THE WORLD GOD IMAGINES Words and Music: David Kai ©2022 The lion and bear, like the cattle will graze This is the world God imagines When wolf lies with lamb we will all be amazed This is the world God imagines CHORUS: No hurt or destruction in this holy place Where justice and peace are flowing free The earth will be full of the knowledge of God This is the world God imagines A garden creation, weâll tend it with care Work for the world God imagines Its harvest of plenty with all we will share Work for the world God imagines CHORUS: No hurt or destruction in this holy place Where justice and peace are flowing free The earth will be full of the knowledge of God Work for the world God imagines A heavenly city, its courts filled with praise Sing for the world God imagines Surrounding the Lamb grateful voices weâll raise Sing for the world God imagines CHORUS: No hurt or destruction in this holy place Where justice and peace are flowing free The earth will be full of the knowledge of God Sing for the world God imagines The Spirit of God lives among us today To bring the world God imagines While Jesus walks with us to guide all our ways To bring the world God imagines CHORUS: No hurt or destruction in this holy place Where justice and peace are flowing free The earth will be full of the knowledge of God This is the world God imagines This is the world God imagines This is the world God imagines.
$1.99
1.86 €
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David Kai
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David Kai
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The World God Imagines - backing track
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David Kai
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SheetMusicPlus
We the People of the United States
Satb & piano - Grade 3 - Digital Download SKU: IZ.CBS176V Composed by Arthur J. Mic…
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Satb & piano - Grade 3 - Digital Download SKU: IZ.CBS176V Composed by Arthur J. Michaels. Score and Parts. 27 pages. Imagine Music - Digital #CBS176V. Published by Imagine Music - Digital (IZ.CBS176V). 9 x 12 in inches.We the People of the United States lets singers and instrumentalists sing and play their hearts out. It's an excellent choice for any program in which directors want to feature a chorus with a concert band. This inspiring piece also makes an excellent spring concert or festival closer, worthy of becoming a music festival's traditional final work with combined instrumental and choral groups.This piece features three sections:I. We the People of the United StatesThis first section is a dignified presentation of the Preamble to the Constitution.II. Amendment IThe second section is the First Amendment to the Constitution. It begins playfully and festively, reflecting the joyful intent of enacting and living by the Constitution's First Amendment freedoms. The section becomes somber and contemplative, though, suggesting the struggles, pain and sacrifices we've endured, and are still enduring, as we continue to interpret this amendment and live by its words. The section's end recalls the joyful, pleasant aspects of living by the First Amendment.III. The Gettysburg AddressThe text of the first and second sections is the cornerstone of how we live and the values we profess. This third section, the first paragraph of Abraham Lincoln's stirring speech, reminds us of our hopes for our country and way of life.Audiences will be standing and cheering at this work's moving finish. The enduring truths of the text, our reverence for these words, and our vigorous aspirations to interpret them make this stirring piece an everlasting program choice and a delight for performers and audiences.
$2.50
2.33 €
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Arthur J
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We the People of the United States
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Imagine Music - Digital
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SheetMusicPlus
We the People of the United States
Concert band & chorus - Grade 3 - Digital Download SKU: IZ.CBS176 Composed by Arthu…
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Concert band & chorus - Grade 3 - Digital Download SKU: IZ.CBS176 Composed by Arthur J. Michaels. Score and Parts. 123 pages. Imagine Music - Digital #CBS176. Published by Imagine Music - Digital (IZ.CBS176). 9 x 12 in inches.We the People of the United States lets singers and instrumentalists sing and play their hearts out. It's an excellent choice for any program in which directors want to feature a chorus with a concert band. This inspiring piece also makes an excellent spring concert or festival closer, worthy of becoming a music festival's traditional final work with combined instrumental and choral groups.This piece features three sections:I. We the People of the United StatesThis first section is a dignified presentation of the Preamble to the Constitution.II. Amendment IThe second section is the First Amendment to the Constitution. It begins playfully and festively, reflecting the joyful intent of enacting and living by the Constitution's First Amendment freedoms. The section becomes somber and contemplative, though, suggesting the struggles, pain and sacrifices we've endured, and are still enduring, as we continue to interpret this amendment and live by its words. The section's end recalls the joyful, pleasant aspects of living by the First Amendment.III. The Gettysburg AddressThe text of the first and second sections is the cornerstone of how we live and the values we profess. This third section, the first paragraph of Abraham Lincoln's stirring speech, reminds us of our hopes for our country and way of life.Audiences will be standing and cheering at this work's moving finish. The enduring truths of the text, our reverence for these words, and our vigorous aspirations to interpret them make this stirring piece an everlasting program choice and a delight for performers and audiences.This item does NOT contain the choral score.
$75.00
69.96 €
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Arthur J
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We the People of the United States
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Imagine Music - Digital
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SheetMusicPlus
"Wonderful" is in the Stable, a Christmas Carol for SATB Choir and Piano (Original Version)
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.741948 Composed by M. Ryan Taylor. 2…
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Choral Choir (SATB) - Digital Download SKU: A0.741948 Composed by M. Ryan Taylor. 20th Century,Christian,Christmas,Contemporary,Sacred. Octavo. 12 pages. Vocal Works #484925. Published by Vocal Works (A0.741948). In Bethlehem, the House of Bread, the Bread of Life is found, For Davidâs root and Davidâs branch is born in Davidâs town. A manna in our wilderness, a gift that we might live, Lies in the oxenâs manger, His life to freely give. Oh Wonderful! is in the stable, Counselor lies on the hay, Mighty God with sheep and oxen makes His bed on Christmas Day. The new-forged light oâer Bethlehem guides seekers from afar; Reveals the place where lightly lies the Bright and Morning Star. His dawning beams with mercy, for He will freely be Our compass and our lantern for all eternity. Oh Wonderful! is in the stable, Counselor lies on the hay, Mighty God with sheep and oxen makes His bed on Christmas Day. The shepherds bring their milk-white lambs before the Lamb of God And mark the oxen, rams and kine about Him on the sod. The last and lasting sacrifice, fulfilling all the law, Without a spot or blemish, lies nestled in the straw. Oh Wonderful! is in the stable, Counselor lies on the hay, Mighty God with sheep and oxen makes His bed on Christmas Day. The wise lay gifts around the child, the Gift of Fatherâs love, The Author of salvationâs song, the Bread sent from above. Oh Wonderful! is in the stable, Counselor lies on the hay, Mighty God with sheep and oxen makes His bed on Christmas Day. The Prince of Peace lies soft and sweetly on His bed this Christmas Day.
$1.99
1.86 €
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Chorale SATB
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M
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"Wonderful" is in the Stable, a Christmas Carol for SATB Choir and Piano
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Vocal Works
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SheetMusicPlus
Nessun Dorma
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.740277 By The Usaf Band. B…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.740277 By The Usaf Band. By Giacomo (Dp) Puccini and Giacomo Puccini. Arranged by Craig Garner. Contemporary. Octavo. 27 pages. Dorm 40 Music #4411085. Published by Dorm 40 Music (A0.740277). This arrangement is part of the Chicago Gargoyle Brass & Organ Ensemble Signature Series. Nessun dorma (None shall sleep) is an aria from the final act of Giacomo Puccini's opera Turandot and is one of the best-known arias in all of opera. Although Nessun dorma has long been a staple of operatic recitals, Luciano Pavarotti popularized the piece well beyond the world of opera with his many recordings and live performances. Nessun dorma became his signature aria. Nessun dorma also appeared on the best-selling classical album of all time, The Three Tenors in Concert. However, our favorite version will always be the soul-infused rendition by Aretha Franklin during the 1998 Grammy Awards, in which she sang in place of Pavarotti when he was unable to perform due to throat problems. This arrangement, for mixed choir (SATB), organ, brass quintet and timpani/suspended cymbal, includes the aria, as well as the final chorus of the opera. Brass and organ play the entirety of the aria, and choir begins to sing at the final chorus, to dramatic effect. This arrangement includes a full score, organ/vocal score with English text, percussion and brass parts (trumpet parts are provided for both B-flat and C; the percussion part is designed for one player). Vocal score may be freely copied for all members of the choir. Perfect for any concert, and it makes a great encore, as well! If you donât have a choir, weâve got you covered. Dorm 40 Music has a published a version for brass quintet, organ and percussion. And, it is available for sale on Sheet Music Plus. Performance time, 4:00. Published by Dorm 40 Music, www.dorm40music.com.
$25.00
23.32 €
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Chorale SATB
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The Usaf Band
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Craig Garner
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Nessun Dorma
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Dorm 40 Music
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SheetMusicPlus
Monteverdi - The Third Book of Madrigals - No 15 Vivrò fra i miei
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.767202 Composed by Claudio Mont…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.767202 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 14 pages. Lyons Music Services #3074241. Published by Lyons Music Services (A0.767202). Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals. The 15th song, Vivrò fra i miei begins as follows: I will live among my own torments. It is another song of rejection! This song begins the second 'scena' within this book, a group of three linked songs (Nos 15-17) which is also available as a single download.As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other parts may be requested free of charge.
$5.99
5.59 €
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Ensemble de cuivres
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Third Book of Madrigals - No 15 Vivrò fra i miei
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Lyons Music Services
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SheetMusicPlus
"Wonderful" is in the Stable, Christmas Carol : SATB Choir (Some Divisi) and Piano (2007 version)
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.741949 Composed by M. Ryan Taylor. C…
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Choral Choir (SATB) - Digital Download SKU: A0.741949 Composed by M. Ryan Taylor. Christian,Christmas,Contemporary,Sacred,Spiritual. Octavo. 11 pages. Vocal Works #484927. Published by Vocal Works (A0.741949). A completely different setting of the text written a year after the original for choral composition contest. In Bethlehem, the House of Bread, the Bread of Life is found, For Davidâs root and Davidâs branch is born in Davidâs town. A manna in our wilderness, a gift that we might live, Lies in the oxenâs manger, His life to freely give. Oh Wonderful! is in the stable, Counselor lies on the hay, Mighty God with sheep and oxen makes His bed on Christmas Day. The new-forged light oâer Bethlehem guides seekers from afar; Reveals the place where lightly lies the Bright and Morning Star. His dawning beams with mercy, for He will freely be Our compass and our lantern for all eternity. Oh Wonderful! is in the stable, Counselor lies on the hay, Mighty God with sheep and oxen makes His bed on Christmas Day. The shepherds bring their milk-white lambs before the Lamb of God And mark the oxen, rams and kine about Him on the sod. The last and lasting sacrifice, fulfilling all the law, Without a spot or blemish, lies nestled in the straw. Oh Wonderful! is in the stable, Counselor lies on the hay, Mighty God with sheep and oxen makes His bed on Christmas Day. The wise lay gifts around the child, the Gift of Fatherâs love, The Author of salvationâs song, the Bread sent from above. Oh Wonderful! is in the stable, Counselor lies on the hay, Mighty God with sheep and oxen makes His bed on Christmas Day. The Prince of Peace lies soft and sweetly on His bed this Christmas Day.
$1.99
1.86 €
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Chorale SATB
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M
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"Wonderful" is in the Stable, Christmas Carol : SATB Choir
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Vocal Works
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SheetMusicPlus
Australia Our Land - Orchestra with SATB Choir and Piano
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1033685 By Brendan James Ellige…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1033685 By Brendan James Elliget NotePerformer 3. By Brendan James Elliget MAGA 537. Arranged by Brendan James Elliget MAGA 537. Classical,Contemporary,Patriotic. Score and parts. 41 pages. BJE Music #638998. Published by BJE Music (A0.1033685). The words for this song were written as a poem by my late mother-in-law Olivia Morgan (94) about the love of her adopted country Australia. She originally came from her ancestral home in England when she was 14. She spent her early years in Australia on a cattle station. Many years later she wrote a poem. Olivia asked me to set her poem to music, which I did in 1990 in the style of an anthem. It has since been performed by the local symphony orchestra and full choir. This setting is for SATB Choir and Orchestra with or without piano accompaniment. The MP3 was recorded with NotePerformer⦠Grade = 3 Duration = 2:35 mins Full lyrics: Australia Our Land Australia great and fair Contained in azure sea Her beauty lies 'neath southern skies Enchanted wide and free From oceans pounded shore Through outback's silent space O'er desert sands and city strands She shows her varied face. Where high the eagle flies And mighty rivers run There rolling plains of golden grain Reflect the west'ring sun In bushland's shaded scene By mountain's dreaming haze There bird-land calls cascading falls Combine their songs of praise. Our country's bounteous gifts Extend from shore to shore In history's place, Her pride and grace Will live forever more This land that keeps our heart Afar though we may roam On land or sea Yet still to be Australia our dear home. (Repeat last two lines) Sung by Christine Neaves (Daughter of Brendan and Glenys Elliget) Words by Olivia Morgan (Mother of Glenys Elliget) Music by Brendan Elliget Copyright © 1996 BJE Music You can listen to the Vocal version at: https://www.bjemusic.com/store/p149/Australia%2C_Our_Land_-_SATB_Choir_or_Solo_Voice_with_Piano_PDF.html.
$28.00
26.12 €
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Orchestre
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Brendan James Elliget NotePerformer 3
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Australia Our Land - Orchestra with SATB Choir and Piano
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BJE Music
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SheetMusicPlus
"Grande Rag Brillante" for piano Op. 15
Piano seul
Piano - Digital Download SKU: A0.1069664 Composed by Gary Noland. 20th Century,Conc…
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Piano - Digital Download SKU: A0.1069664 Composed by Gary Noland. 20th Century,Concert,Contemporary,Ragtime. Full Performance. Duration 892. Freeland Publications #3238281. Published by Freeland Publications (A0.1069664). Duration: 14'52 (1989). Computer-driven Yamaha Disklavier performance. One of my more famous pieces. Its historic premiere at Pacifica Radio (KPFA) in Berkeley on 4 October, 1991 to inaugurate their new facility is included in Nicolas Slonimsky's book Music Since 1900. It has been reviewed and written about extensively. Here is what some reviewers have said:4 OCTOBER 1991: KPFA radio in Berkeley, California, dedicates its newly constructed, two-story broadcast facility at 1929 Martin Luther King Jr. Way with a live satellite broadcast ⦠works on the inaugual program, produced and narrated by KPFA Music director Charles Amirkhanian, included ⦠Grande Rag Brilliant [sic] by Gary NOLAND, a 15-minute rag introducing KPFAâs new Yamaha Disklavier grand piano, featuring fugues, frozen grace-notes to produce tone clusters, and a lengthy passage in which the music modulates up and down a half-tone each measure (the turntable change of speed effect) â¦-Nicolas Slonimsky, Music Since 1900 ...remarkable stuff...-Max Morath, ragtime composer and pianist ⦠smashing and extremely difficult piano rag, ⦠which is not distracted by the modulation-per-minute insanity of this beautiful and disorienting music ⦠an exceedingly difficult composition by Berkeley composer Gary Noland, ⦠the Grande Rag Brillante, Op. 15, was written in a modified turn-of-the-Century style and has never been performed successfully by a human pianist. It features something Mr. Noland calls the 'record-player-turntable-change-of-speed-effect.' In certain sections, each successive measure modulates up a half step into the next key signature, providing a mind-bending spiraling of focus which is truly breathtaking ⦠spectacular⦠-Charles Amirkhanian, Folio (KPFA program guide) ...The Impossible Rag...-Oakland Tribune ...perfectly simulates a piano roll mistracking and continually changing keys...-Dick Zimmerman, Rag Times ...masterpiece!...We recommend Mr. Noland's music for anybody who desires the witty and unexpected approach to the Ragtime idiom.-L. Douglas Henderson, ARTCRAFT Studio Newsletter, Wiscasset, Maine ...Ihre Musik ist wunderschön, Grande Rag Brillante ist ein Meisterwerk; als auch Komponist bin ich voll Neid, dass ich so etwas nicht schreiben kann. Ich wünsche Ihnen viel Erfolg! Ich komponiere schon viele Jahre europäisch tonal und es itst nicht leicht, so zu komponieren in einer Welt, die noch in der atonalen Ideologie denkt. Ich hoffe, Ihr Weg wird leichter....-Ladislav Kupkovic, Czech-born composer residing in Germany Sort of like it ... electronicized ... ; then it becomes a real period piece, like Richard Taruskinâs theory about current HIP practitioners ...-William Bolcom, Pulitzer prize winning composer. ...Gary Noland's music is complex, technically daunting stuff....'Grande Rag Brillante'... seems to be meant as an excercise in psychedelic ragtime piano, full of extremely fast passages, confusing modulations, and bizzare dissonance....-Butch Thompson, The Mississippi Rag ...KPFA Music Director Charles Amirkhanian plans to use the new Disklavier.
$1.99
1.86 €
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Piano seul
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Gary Noland
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"Grande Rag Brillante" for piano Op. 15
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Freeland Publications
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SheetMusicPlus
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